Showing posts with label OGBA. Show all posts
Showing posts with label OGBA. Show all posts

Thursday, November 10, 2011

Ottawa Glass Bead Artists Show, Nov 11-12!


We're excited to announce our next art show is coming up this Friday and Saturday! We will be in Booth #8 in the far left corner as you enter the hall (far right on the map since the doors are on top). Hope to see you there. Please spread the word!



Ottawa Glass Bead Artists

Bead & Jewellery Show 2011
Friday November 11th, 4-9pm
& Saturday November 12th, 10-6pm 2011

* A Showcase of ‘Hand Made’ Glass Beads , Jewellery & Bead Work *

Venue: Hellenic Centre, 1315 Prince of Wales Drive
Ottawa, Ontario

Salon annuel de perles et bijoux 2011
Vendredi le 11 Novembre, 16-21hr
& Samedi le 12 Novembre, 10-18hr 2011

* Une 'vitrine' de perles de verres faites à la main, bijoux et travaux de perles *

For more information on artists and classes, please visit:

http://www.ottawaglassbeadartists.com



Last year's booth (OGBA 2010).

We've been working on our booth design and have a few innovations to unveil, including a new tablecovering system and some new and repainted displays! And I have a great selection of brand-new florals to share.

Monday, November 22, 2010

Thanks For a Great First Show, Ottawa!

It's been over a week since the OGBA show! We were pretty tired by the end (not too tired to go straight out to a party afterwards, of course!) but it was a big success for us and Andrea and I both feel pretty great about the experience.

There were some pretty amazing artists involved in the show and I was really nervous! But everyone was so nice, and we had a good response from visitors. We even re-imagined out display a little, using the bronze-coloured drapery instead of the yellow-gold damask. I like the subdued colour better.

Our approach to display is always evolving but there are a few elements that I highly recommend: light, height and levels. To raise the table to hip height, we use 4 pieces of black ABS pipe about 18 inches long, and just fit one over each of the folding buffet table legs. It's dead simple and makes it so much easier to see our tiny work. For our levels, we use two of our transport containers (plastic suitcases) and lay a melamine shelf across them, before draping everything in fabric. It not only adds visibility and visual interest, but it gives us a hidden "cave" under the middle of the shelf where we can store packaging materials for easy access!

We bought some new glass and frit from Nortel and the Glass Shoppe that I'm looking forward to playing with. We don't have any more shows planned for the rest of the year, but we look forward to our next one, whenever it may be!

Tuesday, November 9, 2010

99th post: Florals Galore!

We have five brand new, Ottawa-made florals that will be available at the OGBA show this Friday and Saturday!


This one has a twist: I added some small cane-florals around the main stamened florals. It added a lot of time to the creation but I like the effect! I'm also happy with the enamelled base.



This one is sweet, little and bright. I accidentally made it on a 1/16" mandrel, which was nervewracking at the time (it's very delicate mandrel for a focal!) but luckily it worked out. It's a benefit now, as a smaller hole diminishes the hideous spectre of bead-wobble. The vivid green, coral and pale pink palette isn't one of my typical colour combinations but I'd like to explore it more! I actually did make a matching earring pair that Andrea is making into Captive Drop earrings.


This one was the first floral I made in the new studio! It features my trusty black base and handpulled reactive cane base, with stamened flowers in white.



I love the background on this one! So rich and vivid. Blue does such wonderful things in glass. I'll never get tired of playing with blues.


This was the most recent one I've made, and also the biggest of the batch! I'm really happy with it. It has a rich background with frit, silver foil, reactive cane and goldstone, two huge violet florals with nicely flared stamens, and four smaller complex cane-flowers. It's something that one can gaze into and enjoy the depths and detail.

I can't believe I'm almost at post #100! Thanks to everyone who has been reading my blog. :) It's nice to have a place to talk through projects, track progress and generally nerd out on glass. :)

Friday, August 13, 2010

Bead History with Tom Holland



Last night I attended a presentation by internationally-renowned pioneer beadmaker and bead history enthusiast Tom Holland, organized by the Glass Shoppe Studio and the OGBA. First of all, I still can't believe how big and active the beadmaking community is here! There were at least 50 people at this lecture. Secondly, I was blown away by how much I still didn't know about glass beads. Thirdly, Tom Holland is fabulous and adorable.

I missed the first part of the lecture because of slow buses and me being slow in figuring out the exact location. But I was there in time to hear Tom talk about ancient beads with the eye of a beadmaker, reverse-engineering them and explaining the techniques and tools that would have been used, and his theories on trade and influence between beadmaking cultures.



For example, it took him 5 years to figure out how to make this Islamic Folded Bead! Without thinking about it, I would have guessed that this bead was made with twisted cane, but no - it was folded from a thin disk.



His enthusiasm about ground murrine chevron beads and chevron-esque beads was cool, but then when we got to see his own work (and the work of his equally reknowned partner, Sage) it really hit home. His work, and especially the lapidary-faceted work, was just stunning. And we were only seeing what was left over after several days of teaching and visiting in Toronto and Ottawa!

It was also really humbling to hear the story of this cool pioneer who built his own torch and struggled to develop brand-new techniques with no teachers or resources other than his collection of ancient beads. These are techniques that we all take for granted now as beadmakers, but only because artists and teachers like Tom and Sage and a handful of others in the 80s and 90s opened the doors.

For more on Tom Holland's local classes (which I sadly can't even consider taking during our big move as money is too tight) check out Lise's blog PERLES DE VERRE (in French, translated through Google Translate - I love how they translated the name Sage into Wise!)

Tuesday, June 15, 2010

Ottawa Glass Bead Artists

Last week I contacted the Ottawa Glass Bead Artists to see about getting involved in upcoming events. I got an immediate reply from Grace Edwards of Laucha Lady fame. Apparently she has just opened a new teaching studio on Colonnade (near my old high school!) which hosts special events, meetings and demonstrations!

Sounds very interesting. I look forward to attending an event in the near future!