Friday July 27 Demo and FINAL HoG sale at the Glass Shoppe Studio

Sorry for not blogging for a while! Things have been quiet on the glass front this winter - but no longer!

Speckled Poppy floral bead with Green Stamen

A few weeks ago I received a message from Grace Edwards of the wonderful Glass Shoppe Studio with a fantastic request. Glass students had asked if I would teach a class on my complex stamened floral beads. I was deeply honoured by the invitation to teach and of course I leaped at the opportunity! I love teaching and I am SO passionate about my stamen florals! This will be my final Big Glass Event in Ottawa and I'm taking full advantage.

July 27, 7pm at the Glass Shoppe Studio
FREE Lampworked Glass Demo and FINAL Hearts of Glass jewellery sale!
Making Complex Floral-Stamen Cane ...and Our Final Public Glass Sale!
Your very last chance to purchase our work before we move to Edmonton.

Note: My latest, as-yet-displayed floral beads will be on display and for sale, but will be for pick-up after the July 28th class as I will need them as exemplars. I also have a large set of NEW Captive Drop earrings to display and sell. This is my favorite batch of the series! I feel like I've hit a new pinnacle of having-things-turn-out-the-way-I-imagine. (Artists will know exactly what I mean here!).

July 28th - FULLY RESERVED
Heather Stewart's Complex Stamened Floral Glass Bead Class
All my hard-won secrets will be revealed! Students will learn all the steps in making my unique style of stamened floral beads and will make their own canes and florals in-class.

Components of new multi-step Black-Fringe-Edged Red Stamen

Brand-new yellow floral with new black-fringe-edged red stamen

The reason that these events will be our last in Ottawa is that we are preparing to move out-of-province... again! An irresistible opportunity knocked and so we're packing up and heading to Edmonton for a few years. I'll be taking full-time graduate studies and Andrea will be the Head of the Scenic Art Department at the Citadel Theatre.

After we made this decision in December 2011, I had hoped to have a few farewell events over the winter and spring. Unfortunately since the Art Glass Bead Show in November 2011 and our home studio show in December, all our artisan show applications have been declined. This is probably a combination of our lack of reputation in the local scene (outside of the tight-knit glass community), and the highly competitive artisan market community in Ottawa, especially in the Jewellery arena. It was a discouraging season and I was saddened to be leaving Ottawa's artisan scene with a whisper rather than a bang. But the BANG has appeared and I'm thrilled!

As you may imagine I've been practicing my stamen-making and have made two brand-new canes, and three brand new florals. As soon as I finish this blog I'm getting back on the torch to make at least two more. I've made some new innovations and breakthroughs that I'm excited to share.

Next post I'll be showing the creation of my latest stamen cane! Here's a sneak peek of the component canes I made. That's right people, it's a PINK stamen! With a star centre! I would say it's whimsical but I'm willing to bet there's a real flower out there with a stamen like that. Flowers are crazy that way.

Components of new Pink Stamen - cane-pulling pics to follow!

I have a floral made with this stamen in the kiln right now, and if it turns out the way I think it did, it will be my BEST FLORAL EVER!  I'm posting pics tomorrow.

Stay tuned...

Many ways to make Murrine cane!

I recently got to attend a free demo by Lucie Kornakova and it was so inspiring!
(photo from Lunacy on Etsy)

I've been making my gathers football-shaped, Japanese-style and trying to stretch my graduated stripes evenly on the narrowing ends. It works fine for basic twist and ribbon cames but the more stripes and details, the more distorted the ends become. I also used small 1/8" metal punties, which again work fine for small simple things but are too flimsy for larger pattern canes.



Lucy builds hers in a narrow cylinder, even diameter so you can just stripe on even lines. She then builds up waste clear glass in either end to make the "egg" for pulling down with 10mm boro punties. I'd heard of that before but always thought that it would be so wasteful. Now I see how much sense it makes. No worries about boro contamination because it's only embedded in the waste glass, which is then discarded. She also talked about making murrine components and combining them together, which I'd only done an uber-tiny bit before.


(photo from Lunacy blog)


Lucy also had the most heat-efficient approach I've ever seen on a torch - it took her no time to melt huge gathers. I think this was partly because of the sweet Nortel Max torch and the world-class set-up at The Glass Shoppe Studio, but partly because she was able to absorb heat into her working pieces efficiently while keeping the finished base layers hard.

There was a class afterwards but we don't have the budget for it right now, sadly. Still just from the demo I've got a lot more ideas now!

I also got a link from my jewellery-designer friend Susan in Winnipeg showing U.S. artist Jim Jones' completely different approach to murrine cane building using sheet glass and a kiln. Very unique!


(photo from Glass2wear.com)

So far my most complex canes are my floral stamens. That's probably where I'll focus my new ideas. Now I just need some more fuel... ;)

The New Floral Stamen

So I finally got to use my new floral stamen stringer in a new bead. Here is the result! I get a sprightly, vaguely Eastern European feeling from this one. :) It will be unveiled at our final Winnipeg show this weekend.
This look is so different from my past ones. Definitely the most successful petaled stamen I've ever made, but it's so vivid that I'm it sure whether it would work with less flame-coloured flowers! I think it might work best as a separate mini-flower cane on its own. What do you think?